Matte / honed
A flat, non-reflective finish for honed marble, leathered granite, soapstone, and any surface meant to read soft. Diffuses light instead of bouncing it, so there is no sheen to give the film away.
Preserve the original.
An optically clear film, applied over your finished countertop. Acid, heat, knives and red wine stop at the surface of the film. The stone underneath stays the day it was set.
The film
Thin enough to vanish at the edge. Hard enough to take every hit meant for your stone. Lithos film is a urethane laminate with a self-healing topcoat and an optically clear adhesive — cut to your slab, fitted to your kitchen, and built to take years of daily use.
Finished right, you find the seam with a fingertip, not with your eyes.
Shown at roughly 40×. In the kitchen, the whole stack is about the thickness of two sheets of paper.
Finishes
Film comes in two finishes, and we choose the one that matches your stone. A honed counter stays honed. A polished counter keeps its reflection. The protection is identical either way — the only thing that changes is how light comes off the surface.
A flat, non-reflective finish for honed marble, leathered granite, soapstone, and any surface meant to read soft. Diffuses light instead of bouncing it, so there is no sheen to give the film away.
A clear, reflective finish for polished marble, quartzite, quartz, and granite. Keeps the depth and the mirror in the stone — the look you paid for when you chose a polished slab.
No matter the finish, and no matter the stone, we can film it.
What it stops
Most countertop damage isn't dramatic. It's a lemon left on the counter, a pan set down without thinking, four years of cleaner and grit. It accumulates, and polish doesn't grow back.
Lemon, vinegar, wine and most "natural" cleaners dissolve the polish on marble in seconds. On film, they sit there until you wipe them up.
Set-down heat from pans, mugs and appliances hazes engineered quartz permanently. The film absorbs the contact instead.
Ceramic dishes, grit under a cutting board, a knife used straight on the counter. Fine marks fade out of the topcoat on their own.
Olive oil, coffee, turmeric, red wine. Stone is porous and sealer wears off. Film is not porous at all.
The slow one. Daily wiping flattens the reflection until the whole run looks tired. The film wears; the polish underneath doesn't.
Resin-based quartz yellows in a sunlit window over time. The film carries UV inhibitors so the island by the glass ages like the rest.
Surfaces
We fit film to what you already own — including slabs that fabricators will tell you can't be sealed any further.

Etches on contact with anything acidic. The most beautiful and the least forgiving.

Genuinely hard — but the polish still goes flat, and the finish is the expensive part.

Engineered resin. Scorches under a hot pan and yellows in direct sun.

Porous where the sealer thins. Oil finds those spots first, usually by the range.

Soft enough to mark with a fingernail. Beautiful, and permanently recording your week.

Chips at the miter and the sink cut-out, exactly where you can't repair it.
Recent work
That's the point. Every one of these has film on it right now — a white quartz kitchen in Jenks, filmed end to end.





Process
Most kitchens are templated and wrapped in a single visit. Nothing is removed, nothing is refinished, and you're back on the counters that evening.
Every run is measured and digitally templated — seam to seam, around the sink, over the miter and down the waterfall. Film is cut to your slab, not trimmed to it on site.

Old sealer, polish residue, cooking oil and cleaner film all come off first. Adhesive only bonds to stone that is genuinely clean, and this is where most bad installs go wrong.

The film is floated into position on a slip solution so it can be aligned to the edge exactly, then locked down. No repositioning marks, no stretched corners.

Solution is drawn out from the centre to the edges. Light use is fine the same evening; the adhesive reaches full bond over the next 24 to 48 hours.

We check the whole surface under low, angled light — the only way lift, debris and edge gaps actually show. You walk it with us before we pack up.

Reversible
Lithos film lifts with heat and leaves no adhesive, no ghosting and no shadow at the edge. Change the kitchen, sell the house, or just re-film after a decade of hard use — the stone underneath is the stone you paid for, in the condition you first saw it.
That's the whole idea. Protection you can undo is protection worth applying.
Request a quote

About
I've spent eight years in the protection film industry, and I kept seeing the same thing — someone spends a fortune on marble, then spends the next ten years afraid of it. Lithos ends that. We lay a clear protective film over your stone that leaves the color, veining and depth exactly as they are, while taking the etching and staining that would otherwise land on the surface.
The film takes what a working kitchen throws at it — acid, heat, knives, years of wiping — and when it finally comes off, the stone underneath is exactly as it was. I run Lithos out of Broken Arrow and I'm on every install myself, because film that isn't laid perfectly is worse than no film at all.
Our team
Same team on every job. No subcontractors, no rotating faces in your kitchen.



Questions
Countertop protection film in Tulsa and Broken Arrow — the questions we hear most.
Countertop protection film is an optically clear urethane film, about 0.006 inches thick, applied over a finished stone countertop. It takes the etching, heat marks, stains and fine scratches that would otherwise land on the stone, and it comes off later without residue. Lithos installs it across Broken Arrow and the Tulsa metro. It is built in three layers: a self-healing topcoat, the urethane film, and an optically clear adhesive that releases with heat.
Not from across the room, and usually not from across the counter. The film is optically clear and comes in matte and gloss finishes, so it takes on the sheen of the stone underneath: honed stays honed, polished stays polished. Where you might notice it is the edge, which is why edge work separates a good install from a bad one. By touch it is a little warmer and smoother than bare stone, and most people stop noticing within a week. If you want to feel it first, we'll leave a sample on your counter for a few days.
Every Lithos job is estimated individually when you book, based on square footage and complexity, so a straight run costs less than an island with a waterfall and mitered edges. Send a couple of photos and a rough square footage and we'll send an estimate without a site visit, usually the same day. Call (918) 513-1171 or use the countertop film quote form.
Most kitchens are templated and filmed in a single visit, and nothing is removed or refinished. Light use is fine the same evening, and the adhesive reaches full bond over the next 24 to 48 hours. If your job is larger than a typical kitchen, we'll tell you how long it will take when we quote it.
Hot pans, yes. Setting one straight down from the oven is exactly the kind of contact the film is there to absorb, and it's the damage that would otherwise scorch engineered quartz or cook a sealer. Keep a cutting board for knives: the self-healing topcoat closes the fine scratches that dull a polish, but a blade drawn hard across it will still leave a line.
Up to ten years, depending on which film goes down and how hard the counter lives. Several of the films we install carry a manufacturer's warranty, and we'll tell you which film is going on your stone and what its warranty covers before you book. At the end of its life the film is removed and replaced; the stone underneath doesn't change. Day to day, clean it with warm water and any pH-neutral cleaner: no abrasives, scouring pads or ammonia. Ironically, the acidic cleaners that ruin marble are now the ones you avoid for the film's sake rather than the stone's.
Yes. Lithos works out of a shop at 1908 N Willow Ave in Broken Arrow and installs countertop film across the Tulsa metro, including Tulsa, Broken Arrow, Jenks, Bixby, Owasso and Coweta. If your town isn't on that list, call (918) 513-1171 and ask, and we'll tell you straight whether we can get to you. Each city is covered on our Tulsa-metro service area page.
Yes, and it's the best time to do it. Film applied to a slab that has never been used protects a genuinely perfect finish, before the first lemon or hot pan reaches it. We coordinate with fabricators and builders across the Tulsa metro, so the film can go down as soon as the countertops are set.
Get a quote
Send a couple of photos and a rough footage and we'll come back with a number. Most kitchens can be quoted without a site visit.
Opens your email app with the details filled in.
Get a quote
Two fields is enough to start. We'll come back with a number — most kitchens don't need a site visit.